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DescriptionPeter Tyler seems to have it all—a beautiful and accomplished wife, a high-powered Wall Street career, a sprawling house in the suburbs. But beneath this perfect surface, things are not what they seem. Haunted by an unhappy childhood, Peter is drifting further and further from his college-sweetheart wife and her ideal of family life; eventually, confused and dissatisfied, he seeks solace in a one-night stand. Before Peter can fully come to grips with what he's done, his house is broken into and his wife brutally murdered. When the police discover that a mysterious package from Peter's best friend, Andrei, is the only thing missing, they rule out random robbery. When they dig a little deeper and discover Peter's infidelity—combined with his refusal to reveal the identity of his lover—he becomes their prime suspect. To complete the nightmare, Andrei, who might hold the key to everything, has disappeared without a trace. Forced to run, Peter will have to question everything he has ever believed as he struggles to unravel the truth behind his wife's murder and Andrei's disappearance before the police catch up with him. Along the way he'll encounter an embittered ex-cop with a taste for vengeance, a conniving pharmaceutical conglomerate, the head of an underground AIDS facility with ties to the Russian Mob, a corporate jackal bent on a swindle of epic proportions, and a spectacular act of revenge that will take your breath away. Whip-smart, lightning-paced, and adrenaline-fueled from first to last, this is a book you won't be able to turn off until you know everything. If you like this title, you might also like...
ExcerptsFrom the book ...Chapter One
"Eleven," Tigger crows triumphantly, his shot caroming off the plastic backboard into the hoop. "You got the yips big time today. That's eight hundred bucks you owe me." "Double or nothing again," I say, rising to gather the Nerf balls scattered across my office floor. Glancing through the glass wall over-looking the trading desks, I notice several heads turn abruptly. The junior guys bet on our games. They can't see the basket hanging from the door, but it's common knowledge that the loser collects the balls. Having the guys on the trading floor see me drop four games in a row pisses me off almost as much as losing them. "House rules," Tigger says. "Five-hundred-dollar game limit." "House rules," I agree. "And whose house is it?" "Bad form, Peter. Rules are the basis of civilization." Tigger's Brooklyn vowels defeat his attempt at sounding cultured, marking him as an old-timer, one of the last guys to get a field promotion before Wall Street began recruiting professionals exclusively from the Ivy League. A small man in his early fifties, Tigger has a potbelly, fleshy cheeks, protuberant eyes, and an overly large head. He was my first boss, and still corrects me freely, despite the fact that I long since passed him in the corporate hierarchy. "Eight hundred bucks," I say, grabbing a ball under his chair. "Big money. You could upgrade your entire wardrobe and use the other four hundred to have a HAZMAT team haul off the old stuff." "Never buy anything that doesn't come in a three-pack. What'd you pay for that tie?" "Hundred and ten maybe," I say, glancing down at the chain-link pattern. "In an airport. Retail's one forty." "You're wearin' a hundred-and-ten-dollar tie that was made in China for fifty cents. You buy twenty-five-dollar hamburgers uptown and get hundred-dollar haircuts from guys with one name. I got a responsibility to take money off you because you're so fuckin' stupid with it." Keisha opens the door while I'm on all fours, fumbling for a ball under the couch. "Josh is on your personal line. He needs to speak to you urgently," she says, rolling her eyes. Josh is my boss, the head of Klein and Klein, a former banker from the Rust Belt who's gradually taken on the grandeur of an Ottoman Empire pasha. Everything's urgent. It's just a matter of time until he begins referring to himself in the third person. I pick up the phone. "Peter Tyler." "Hold for Josh," his breathless secretary whispers. "Hold for Josh," I say to Tigger, squeezing the mute button on the receiver. "What kind of asshole can't make his own phone calls?" "Don't give him any money," Tigger warns. "Third quarter ends this Friday. We already made budget, and I want to go into bonus season with a tailwind." "Peter," a bluff voice booms into the receiver, "how are we doing today?" "Fine," I reply, thumbing down the volume. All the clients he used to cover must have been deaf. "Dollar's weaker, oil's higher, and bonds are soft. Generally good for us." "Excellent," he says, not sounding particularly thrilled. "I'm a little concerned this morning, Peter. I've been looking at the firm-wide risk report." "I'm sorry to hear that, Josh," I say, mentally appending the words because you don't understand it. "What seems to be the problem?" "Controllers is suggesting that we've got our Japanese credit curve marked too wide. We're already under pressure to make numbers this quarter, and I don't want any unpleasant surprises." "The curve is quoted as a yield spread over governments, Josh. We're long the underlying corporates... Reviews ...Peter Tyler's successful Wall Street career and suburban life, both seemingly so stable, are ripped apart in an instant when his wife is killed. Each lead he chases to find the killer lands him in more trouble as he questions himself about his enemies and friends. Mark Deakins differentiates the varying characters--Russian bodyguards, a stoic father, a selfish executive, cynical cops, and many others. He expertly conveys the plot's suspense, deftly capturing its diverse emotions, values, and themes. Deakins's voices and distinct accents--from elegant European to streetwise New York--bring together this intriguing story of the bonds of friendship, family secrets, art history, and financial dealing. M.B. (c) AudioFile 2008, Portland, Maine
Lorenzo Carcaterra, author of Sleepers and Chasers...
"Lee Vance has written a body slam to the mat of a debut thriller. Each page is crammed with well-developed characters real enough to read out and hold. The plot builds to a pitch loud enough to shatter glass. And the dialogue is as true as any seen since the golden days of Frederick Forsyth. There's nothing better than a cool drink and a hot read to cut the burn off the hottest of days -- and this book is as hot as a high noon sun." Digital Rights Information
© 2009 New Hampshire State Library Grant funding from the Institute of Museum and Library Services through the Library Services and Technology Act administered by the New Hampshire State Librarian. Powered by OverDrive® Digital Library Reserve™ |
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